Wyclef would record one pretty good solo album of his own, and for a while, he was an inescapable presence, imposing his loony culture-collision ideas on the world. Pras basically would he recorded the fun hit “Ghetto Superstar,” starred in the D-movie Turn It Up, and then essentially blinked out of existence. The guys didn’t vanish, at least not at first. It’s not clear that she’ll ever get it completely back together, and she’ll always be remembered as the artist who walked away at the peak of her power. That’s still an ongoing story, even though Hill will occasionally pop up to play the odd festival. And then she intentionally vanished, disappearing to have a couple of kids and then to follow some sketchy religious guru. The girl would go solo, two years later, recording an album that conquered the world.
Of course, that line turned out to be eerily prophetic, too. He knew that he wanted to be a pop-music force, and for a time, he was. And yet Wyclef still resented the idea that he was somehow expendable. Wyclef and Pras Michel, his fellow Fugee, didn’t have any other options.
#The fugees the score review movie
She’d already starred in the soap opera As The World Turns and the movie Sister Act 2, and she was still enrolled at Columbia University when her group was recording The Score.
And if the group didn’t work out, she had options. It was clear to anyone with ears that Lauryn Hill was the best rapper in the Fugees, and she also had this incredible weathered, powerful singing voice. For one thing, Wyclef had to acknowledge something: His group had a standout, and he wasn’t it. “If you read the magazine, it says the girl should’ve went solo / The guys should stop rapping, vanish like Menudo,” he’d rap on his group the Fugees’ 1996 track “Zealots.” Looking at that line right now, with 20 years of distance, there’s so much going on in it. Sometime in the mid-’90s, Wyclef Jean read a magazine that fucked up his day.
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